Examination for Class 14

1. Is a 'sign' in fist conversation dependable on its own, or must it be properly weighed to be regarded as proof?

A. Trustworthy on its own___

B. Must be properly weighed___

Describe the letterform reflecting:

2. Intelligence and culture
3. Inexactness
4. Shyness
5. Aggression and ambition
6. Care in architecture or in mechanically related fields
7. The meddler; argumentative
8. Carelessness and neglect
9. Talkativeness
10. Inferiority complex
11. Depression; suicidal tendencies
12. "Down in the dumps"
13. Sensuality
14. The embezzler, the crook, the hypocrite (see Stalin's writing)
15. Interpretation and mechanical command (see Thomas Edison's writing)
16. Hypochondria
17. Vulgarity
18. One who does not compromise
19. Melodic interest
20. Culture, literary oriented (see Victor Hugo and Site Twain's handwritings)
21. Breathless observation
22. Self-admiration
23. Pleasure of protection
24. Defiantly declares a social withdrawal
25. Undue state of self-importance
26. A womanliness vitality that is of an meagre sort
27. Writer's ego is of extended gist than that of the "other person."
28. Hysteria
29. Tiredness and weakness
30. Secretiveness
31. Abnormal habits
32. Curiosity
33. Coin on writer's mind
34. Burly resistence to friendliness
35. Revolt
36. Friendliness and generosity
37. Depression
38. When an oval-shaped correspondence is broad unbolted at the top, which

zone is growth exposed?
39. Communicate the writing in which inferiority feelings and interim depressions are found.
40. When letters are written "too wide" what does this suggest?
41. Should an illegible, neglected, or omitted behind mail be

taken as a warning or an letter of a firm person?

A. Warning___

B. Positive person___

42. When writing indicates that the minimum letters (a, c, e, etc.) are very wide, should

a defect of restraint be expected of such a writer or inhibition?

A.___ Scarcity of restraint

B. Inhibition___

43. Unconscious great fixation is begin in which type of loop?

Answers for Lesson 14

1. Must be properly weighed

2. A block letter. Its construction is simplified.

3. The markings (on top of the letter) are inexact and unnecessary

4. The thin, narrow central letter

5. The left leg of the dispatch 'A' is substantially longer than the equitable one.

6. The send ('A') is constructed in a square fashion.

7. The left leg is considerably longer than the right, and descends deeply.

8. The bar of the A is missing

9. Open-mouthed ovals

10. A low bar such as in a cash packages (A, H) or in the 't' bar

11. An in-turned arc, piercing the chief (the ego).

12. The money A or H bar strongly descends

13. The letter is ink-filled, pasty, blotchy

14. The oval letter is unlatched at the bottom.

15. The letter is square shaped

16. Fixed changes in the letter

17. The complicated, overdone, disfigured letter.

18. The letter (such as the Palmer b, which is rounded on both top and bottom) is sharp at the top as right as at the bottom

19. The letter is in the articulation of a lyrical note

20. The Greek d, e, and g

21. The finance E is shaped as two concave arcs

22. An underlength that would underline the rest of the word.

23. When the top stroke extends over the entire word

24. The downstroke extends under the reason of the letter and to the left.

25. The vulgar-looking and ornate letter has a vertical border added in unnecessarily.

26. Distortions in the lower realm or strangely shaped letters

27. The head belongings ('hump') of the 'm' is higher than the second.

28. The letter ('m') is written in thready form

29. The heel of the downstroke (as in the letter 'm') is considerably bounteous lightly written than the rest of the letter. Heading into the lower zone, as it does, the field where the power of the definite lies, it implies prostration and weakness.

30. Closed oval (at the top)

31. The hump (in the 'p') on the erring side of the stem

32. The moment department of the letter ( 'r') is lower than the first

33. The letter s resembles the dollar sign

34. An angular shaped letter that is usually written (according to the Palmer method) in a rounded fashion-such as the letter 'u.'

35. The expression starts in a connected fashion, and suddenly the purpose of the conversation is left stranded, alone

36. The letter is prepared in a soft manner. Any letter with a agreeable loop in the lower zone

37. The stop stroke descends when it should be horizontal.

38. The opening exposes the lower zone

39. Miniature minimum (middle zone) letters

40. Accepted of the spontaneous, broadminded, and "large" writer, who is sociable and sympathetic, keen to hand with you and keen to let you handwriting with him- he is "extroverted."

41. Warning

42. Impudence

43. Inflated lower loops 'pointing' leftward.